[19] Two design patents on Akzidenz-Grotesk were filed in April 1898, first on the 14th in Stuttgart by Bauer and then on the 28th in Berlin by Berthold, leading Reynolds to conclude that the design was executed in Stuttgart. In the 1950s Günter Gerhard Lange, then art director at Berthold, began a project to enlarge the typeface family, adding a larger character set, but retaining all of the idiosyncrasies of the 1898 face. The font family is Berthold Akzidenz Grotesk BE.And sub-family is Condensed. About the font Berthold Akzidenz Grotesk Light Condensed Berthold Akzidenz Grotesk Light Condensed is free for personal use only. Bauer had earlier cut a typeface called Accidenz-Gothisch", "Akzidenz-Grotesk (Re-)Release Dates (comments on Typophile thread)", "Research update: Distribution of sans serifs in German-speaking foundries during the nineteenth century", "Mallet Magic – Harry Breuer And His Quintet", "The Academy of Sciences of the USSR's hieroglyphs font (1928)", "Berlin locations of the old Ferd. [120], Akzidenz-Grotesk Old Face, designed by Lange and released in 1984, was intended to be more true to the metal type than previous phototypesetting versions and incorporate more of the original type's inconsistencies of dimensions such as x-height. Berthold Akzidenz Grotesk Medium Condensed DOWNLOAD FONT. Is there any font similar to Akzidenz Grotesk Font in Google Fonts? Aktiv Grotesk is a grotesque sans-serif typeface released through Dalton Maag in 2010. Event in the sense of "something that happens", not in the sense of a high-class. Berthold-Grotesk is somewhat less well-known than other German geometrics of the period. The metal type of Akzidenz-Grotesk shows variation between sizes, with adaptation of letter-spacing and proportions such as looser spacing at smaller text sizes, something that was normal practice in the design and engraving of metal type. [3][48] Its competitors included the very popular Venus-Grotesk of the Bauer foundry of Frankfurt, very similar to Akzidenz-Grotesk but with high-waisted capitals, and Koralle by Schelter & Giesecke, which has a single-storey 'a'. FontFont's FF Schulbuch family is in a similar style. [81] For instance, the 't' of the Schmalhalbfett weight only has no base, as it was designed separately and not by Berthold. The site gets over 350,000 unique visitors a month; running it is expensive and time consuming. Download Berthold Akzidenz Grotesk BE Light Condensed font. [69], Regular, medium, bold, outline, bold outline and shaded styles were made for the family, but no obliques. A version is available here: http://bit.ly/1gHxAYc Ulrich Stiehl suggests that this may have been one of the last additions to the metal type family: it does not appear in a 1959 advert. CS1 maint: BOT: original-url status unknown (, sfn error: multiple targets (2×): CITEREFGerstner1963 (. The display face appears to be Berthold's Herold. [e] Its comments would prove influential in later graphic design: Among all the types that are available, the so-called "Grotesque"...is the only one in spiritual accordance with our time. How to install Akzidenz Grotesk Font in Computer. The source of Akzidenz-Grotesk appears to be Berthold's 1897 purchase of the Bauer u. Cie Type Foundry of Stuttgart (not to be confused with the much better-known Bauer Type Foundry of Frankfurt); Kupferschmid concludes that the design appears to be related to a shadowed sans-serif (German: Schattierte Grotesk) sold by the Bauer Foundry and reviewed in a printing journal in 1896. [72][73] Much printing around this time of body text accordingly used Monotype Grotesque as a lookalike. Copyright Office Practices, § 906.4 ("Typeface, Typefont, Lettering, Calligraphy, and Typographic Ornamentation")", "The Last Time the US Considered Copyright Protection for Typefaces", "A Modern Sans-serif Infused With the Spirit of the NYC Subway", "NYC Gets A Major Rebrand (And Its First Official Pictograms)", "Interview with Erik Spiekermann and Ralph du Carrois", "Chicago Font Co. Takes Aim at Target's Use Of Typeface – Law360", "Die alte Akzidenz-Grotesk auf neuer Basis", https://en.wikipedia.org/w/index.php?title=Akzidenz-Grotesk&oldid=990709774, CS1 maint: BOT: original-url status unknown, Creative Commons Attribution-ShareAlike License, Akzidenz-Grotesk (Standard, available on Linotype in modified form as series 57 with, Halbfett (Medium or literally semi-bold, available on Linotype in modified form as series 58 and as poster type), Mager (Light, sometimes sold as Royal-Grotesk), Extra (Extrabold Condensed, tighter-spaced than the Schmalfett weight), Extrafett (Compact, or literally, also extra-bold), Breithalbfett (Medium Extended, or literally Semi-bold Extended), Breitfett (Extrabold Extended, or literally Bold Extended), This page was last edited on 26 November 2020, at 02:06. [13][14] Art historian Stephen Eskilson wrote that they "conveyed the functionalist ethos without appearing too stylised...in the manner of the more geometrically pure types. Lange was instrumental in developing the Akzidenz-Grotesk program at Berthold in the 1950s and 1960s. Akzidenz-Grotesk® BQ - Desktop font « MyFonts. The font is available in all formats (Akzidenz-Grotesk BQ woff2, Akzidenz-Grotesk BQ woff, Akzidenz-Grotesk BQ ttf, Akzidenz-Grotesk BQ eot) and applicable to the website, photoshop and any OS. [13][16] This is common with nineteenth-century sans-serifs, which were not designed with the intention of forming an extended family that would match together. We are providing all the latest and professional free fonts for download that you can use on your projects. Abkhaz, Afrikaans, Albanian, Aymara, Basque, Belarusian, Bislama, Breton, Bulgarian, Catalan, Valencian, Chamorro, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Galician, German, Guaraní, Hausa, Hungarian, Interlingua, Indonesian, Irish, Igbo, Ido, Icelandic, Italian, Javanese, Kanuri, Kurdish, Latin, Luganda, Lingala, Lithuanian, Latvian, Maltese, Marshallese, Navajo, Navaho, Norwegian Bokmål, Ndonga, Norwegian Nynorsk, Polish, Romanian, Moldavian, Moldovan, Russian, Scottish Gaelic; Gaelic, Slovak, Slovene, Somali, Spanish, Swati, Swedish, Tagalog, Tonga (Tonga Islands), Turkish, Tatar, Tahitian, Ukrainian, Uzbek, Venda, Vietnamese, Walloon, Welsh, Wolof, Western Frisian, Xhosa, Yoruba. [132][133][134], The Swiss digital type foundry Optimo has released an alternative digitisation of Akzidenz-Grotesk named "Theinhardt", which Spiekermann has praised as "the best" Akzidenz-Grotesk digitisation. [9] During the metal type period, when italics for Akzidenz-Grotesk were not available, Amsterdam Continental marketed those of an unrelated typeface, Mercator, as companions instead.[3]. This old typeface, which these days one would perhaps make in a more modern style, has a peculiar life in its own way which would probably be lost if it were to be altered. 15—Helvetica and Standard", "Erik Spiekermann's Statements re Berthold", Berthold Announces the Release of Akzidenz-Grotesk in OpenType Format, "Differences - Akzidenz-Grotesk and Futura", "Differences - Akzidenz-Grotesk and Franklin Gothic", "Differences - Akzidenz-Grotesk and Helvetica", "German, Swiss, and Austrian typefaces named Royal or Akzidenz", "Differences - AG Schoolbook Medium and AG Book", "Neuwelt: an optimistic transatlantic sans serif type family", "BERTHOLD AKZIDENZ-GROTESK - Trademark Details", "AKZIDENZ-GROTESK NEXT – Trademark Details", "Compendium of U.S. Designed after Helvetica had become popular, it incorporates some of its features, such as strike-through tail in 'Q', a curved tail for the 'R', horizontal and vertical cut stroke terminators. [39] This had been established by businessman and punchcutter Ferdinand Theinhardt, who was otherwise particularly famous for his scholarly endeavours in the field of hieroglyph and Syriac typefaces; he had sold the business in 1885. [117], Generally based on Akzidenz-Grotesk Book, it includes a single-storey 'a', curled 'l', lower- and upper-case 'k' that are symmetrical, and 't', 'u' and 'y' without curls on the base. [3][6], Grotesque (German: Grotesk) was a standard term that had become popular in the first half of the nineteenth century for sans-serifs, initiated by the London type-founder William Thorowgood. Zusammen mit den Handsatz-Garnituren bilden die Linotype-Werkschiftgrade eine sehr stattliche Familie, die der Gestalter und Drucker oft und gern bei seiner Arbeit in Anspruch nehmen wird. To download Akzidenz Grotesk, hit the download font button below and enjoy this in your projects. please visit http://www.studiotypo.com/Thanks In German Akzidenz means trade type and Grotesk means sans serif Akzidenz-Grotesk is often translated into English as "jobbing sans-serif" (in the sense of "used for jobs"). [24][25] Berthold publications from the 1920s onwards dated the design to 1898,[26][10][27] when the firm registered two design patents on the family. ... (1966), AG Italic (1967), AG ExtraBold Condensed & Italic (1968), AG Super (1968). English names are taken from Berthold's Type Specimen (German: Schriftprobe) No. [96][3][140] A proprietary digitisation named NYC Sans by Nick Sherman and Jeremy Mickel, which has many alternate characters, is the corporate font of New York City's tourist board NYC & Company. The design originates from the type used in Germany by job-setters and trade printers of earlier centuries. Berthold Akzidenz Grotesk BE Condensed is the perfect font for all your fun designs. The design was inspired by the way typographic curves get pixelated on screens. The best website for free high-quality Berthold Akzidenz Grotesk Medium Condensed fonts, with 26 free Berthold Akzidenz Grotesk Medium Condensed fonts for immediate download, and 27 professional Berthold Akzidenz Grotesk Medium Condensed fonts for the best price on the Web. A less folded-up 'a' and 'g' and a narrower 'r' were available by request. Is it OK to use this on an online platform? H. Berthold first published Akzidenz-Grotesk in 1896. [103] Single-storey g.[104], upper case: File name Font Format Version Glyphs Size; berthold-akzidenz-grotesk-be-light-condensed.ttf If you have benefited from this, then please leave a comment in the comment section below. [28][29], Recent research by historians Eckehart Schumacher-Gebler, Indra Kupferschmid and Dan Reynolds has clarified many aspects of Akzidenz-Grotesk's history. Akzidenz Grotesk is een schreefloos lettertype ontwikkeld door de lettergieterij H. Berthold AG in 1898. Originally named “Accidenz-Grotesk” the design originates from Royal Grotesk light by royal type-cutter. Berthold released its own family in this style, Berthold-Grotesk.[d]. Akzidenz-Grotesk® BE - Desktop font « MyFonts Akzidenz-Grotesk® BE font family, 33 styles from $275.00 by Berthold. G with a vertical spur. [49][50][c] (Monotype Grotesque 215 also is based on German typefaces of this period. [103] The capitals are wide and have relatively little variation in width, with letters like 'E' and 'F' quite wide. [8] Modern type designer Martin Majoor has described the general design of Akzidenz-Grotesk and its ancestors as similar in letterforms to the Didone serif fonts that were standard printing types in the nineteenth century, such as Didot, Walbaum and their followers. [27], Many other grotesques in a similar style to Akzidenz-Grotesk were sold in Germany during this period. [9] The capitals of Akzidenz-Grotesk are wide and relatively uniform in width. [7], The 'g' of Akzidenz-Grotesk is a 'single-storey' design, like in many other German sans-serifs, but unlike the double-storey 'g' found in most serif faces and in many of the earliest sans-serifs that had a lower-case; sans-serif types first appeared in London, but became popular in Germany from the mid-nineteenth century onwards. [151], Berthold sued Target Corporation for copyright infringement and breach of contract in 2017, alleging that Target had asked a design firm to use the font in a promotional video without a license.[152]. sfn error: multiple targets (5×): CITEREFReynolds2019 (, Berthold und Bauer werben im Jahre 1899 mit einem aus heutiger Sicht seltsam anmutenden. In 2001 Lange helped Berthold complete the AG series with the additions of AG light italic, Super Italic, light condensed, condensed, medium condensed, extrabold italic, light extended italic, extended italic and medium extended italic. [141][142][143][144], Transport has also been digitised in several versions. What type of font is Akzidenz Grotesk Font? The essential characteristics of this type have not been fully worked out: the lower-case letters especially are still too like their "humanistic" counterparts. "[3], The light weight of Akzidenz-Grotesk was for many years branded separately as 'Royal-Grotesk'. Lange was instrumental in developing the Akzidenz-Grotesk program at Berthold in the 1950s and 1960s. "[99] Max Miedinger at the Haas Foundry used it as a model for the typeface Neue Haas-Grotesk, released in 1957 and renamed Helvetica in 1961. This is one of the most famous and flexible own family. [118] The 'J' has a top bar, the 'M' centre does not descend to the baseline and the 'G' and 'R' are simplified in the manner of Futura. [100], lower case: To proclaim sans-serif as the typeface of our time is not a question of being fashionable, it really does express the same tendencies to be seen in our architecture…there is no doubt that the sans-serif types available today are not yet wholly satisfactory as all-purpose faces. This font was the primary sans-serif typeface to ever be broadly used and it later stimulated the layout of Helvetica. in Berlin zeigt in einem hübsch angeordneten handlichen Heftchen zwei Garnituren Royal- und Akzidenz-Grotesk, beide sich ergänzende Schriften von vornehmer Wirkung, die um so mehr als zeitgemäß bezeichnet werden können, weil anscheinend nun endlich auch in der Druckausstattung der Akzidenzen Wege eingeschlagen werden, die zu einer wesentlichen Vereinfachung des Satzbildes führen dürften. Akzidenz-Grotesk BQ Bold Condensed Italic. [84][83] Berthold ceased to cast type in 1978. [122] Designed by Bernd Möllenstädt and Dieter Hofrichter, this typeface family features readjusted x-heights and weights throughout the family, giving a more consistent design. Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a tradition of general-purpose, unadorned sans-serif types that had become dominant in German printing during the nineteenth century. It was the first sans-serif typeface to ever be widely used and it later influenced the design of Helvetica.Akzidenz Grotesk has a much lower x-height than Helvetica which … Auf eine kleine, vielleicht unbeabsichtigte Unschönheit möchten wir doch hinweisen. Its simple, neutral design has also influenced many later typefaces. [95] Kris Sowersby has written that he found the semi-bold and bold weights most satisfying. 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